Friday, June 5, 2020

The Carbonell’s Paradox


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Walterio Carbonell was prominent figure in the intellectual environment of black Cubans, with some ascendant on its elites; as would be seen at his death, with the condolences and displays of respect from senior leaders, with which he shared studies and struggles. His own studies in France exposed him to the development of the movement of Negritude; which encompassed the African diaspora in the Americas and the Caribbean, around prominent figures such as Aimé Cesaire, Frantz Fanon, etc.

It was a time of revolutionary confrontations, with its revival effect on the restructuring of the West's political relations; an environment widely known to Carbonell, immersed in the political contradictions of the moment. Carbonell's work is going to be a direct link with the most prominent historical figures among black Cubans; with emphasis on the development of independence battles, as well as on the mass of slaves that sustained colonial production and its participation in such fights.

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Carbonell opens his analysis of Cuban culture with the eulogy of Africa, in what makes it biased from the beginning; because to exist itself as a phenomenon, Africa must be structured in a power relationship, which are obviously of its elites. Carbonell is concerned with reordering historical facts, which respond to his own (economic) determinations; but he will do so biasedly, turning to the moral ascendance, even if contradictory with his materialistic basis of history in Marxist.

With this it demonstrates the fallacy of “Fidelism”, as an ideological modification of the economic determinism of Marxism; marking the book with that ideological reduction, in its link with the historical past, in its search for a current legitimation. The effect is controversial and paradoxical, but also logical in its own context; since it is the result of all its references in the political contradiction of North American imperialism, to which it subordinates the racial problem.

This will actualize the historical contradiction of Evaristo Estenoz and Martín Morúa Delgado, in favor of Estenoz's confrontational and segregationist tendency; which formed in American environments, will echo the contradictions introduced by American participation in the Cuban war of independence. The Carbonell paradox consists on this ultimate reference, not to natural its Marxism but to French ideology in general; whose claim of racialism is a political strategy, resulting in cultural subordination.

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In this he highlights the pragmatism of Morúa Delgado, in contrast to the ideological (moral) exaltation of Estenoz; which explains the difficulties of the black population today, in its contradictions to integrate society into equal terms. Contrary to the economic (bourgeois) pragmatism of Morúa, the duo of Carbonell-Estenoz insists on segregation; appealing to a revolutionary justice, which forcibly restores a supposedly natural order, which is the authoritarian model behind intellectual elitism. The problem is that this strategy subordinates the racial problem to the political contradiction of the West, postponing its solution forever; while the West will never solve that contradiction of its own, because it defines its society, in the dialectic of history.

This fatality of dialectics is not inevitable for the West, at least in that form of political contradiction; but it is still determined in the very foundation of that culture, by the cosmology formed in the Christian ideology in relation to Manicheanism. That is what the emergence of black culture could solve, with its unique history in the middle of those contradictions of the West; but just as it is not subordinated to that contradiction, losing in it its own capacity for political redetermination.

That is where the Paradox Carbonell arises, mutilating this structural faculty of the black reality in the Americas; operating its definitive subordination to that contradiction of the western political culture, through the ideological discourse of revolutionary heroism. In this sense, Carbonell does what Morúa Delgado is blamed for, achieving this political subordination; which is going to be reversed into an ideology, on which the ownership of Western liberalism over racial problem is finally founded.

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